3:53
A song by Relient k. Yay.
THAT Rhymed!!!
IM SO HAPPY!! タグ:rockpoppuckrelientkgrl841relientgrl 投稿日: September 8, 2008, 8:24 am 閲覧数: 0 投票: 0.00(５点満点) 0 人の平均
must have done something right
3:22
Song by Relient K.Yay.
I rhymed!!!
yay!
watch it now タグ:rockpoprelientrelientkgrl841841grl 投稿日: September 8, 2008, 10:41 am 閲覧数: 0 投票: 0.00(５点満点) 0 人の平均
uh oh, joe dilemma
3:04
this video is for all the girls who have boyfriends, but secretly like Joe Jonas more ;D
yeah, i shortened the song 'cause it was too long :P
that rhymed, haha. タグ:joejonasbrothersdilemmanellykelly 投稿日: September 8, 2008, 7:45 am 閲覧数: 0 投票: 0.00(５点満点) 0 人の平均
w.a.mozart: reqiuem - dies irae.
2:20
The Requiem Mass in D minor (KV. 626) by Wolfgang Amadeus Mozart was composed in 1791. The requiem was Mozart's last composition, and is one of his most powerful and recognized works, not only for its music, but also for the debate over how much of the music Mozart managed to complete before his death, and how much was later composed by his student Franz Xaver Süssmayr.
Myth: Antonio Salieri commissioned the Requiem from Mozart so it could be played at Mozart's own funeral after Salieri poisoned the composer.
Reality: The Requiem was actually commissioned by Franz von Walsegg so he could pass it off as his own to memorialize the death of his wife. Count von Walsegg, an amateur musician, often commissioned works by composers and performed them with friends in musicales as his own. The count took the extra step of using a messenger to take extra precautions to maintain confidentiality, given that this event was much more public than the private musicales that he was accustomed to using for representing "his" works.
Since the 1970s several musicologists, dissatisfied with the traditional "Süssmayr" completion, have attempted alternative completions of the Requiem. These include Franz Beyer, Duncan Druce, C. Richard F. Maunder, H.C. Robbins Landon, Robert D. Levin and Simon Andrews. Each version follows a distinct methodology for completion; for example, the Beyer edition makes revisions to Süssmayr's orchestration in an attempt to create a more Mozartian style, whereas Robbins Landon has chosen to orchestrate parts of the completion using the partial work by Eybler, thinking that Eybler's work is a more reliable guide of Mozart's intentions. Maunder's edition dispenses completely with the parts known to be written by Süssmayr, but retains the Agnus Dei after discovering an extensive paraphrase from an earlier Mass (Kv.220). Andrews' and Levin's versions retain the structure of Süssmayr while adjusting orchestration, voice leading and in some cases rewriting entire sections in an effort to make the work more Mozartean. For example, in the Levin and Andrews versions, the Sanctus fugue is completely rewritten and the Benedictus is restructured to allow for a reprise of the Sanctus fugue in the key of D (rather than Süssmayr's use of B flat).
Dies Irae (Day of Wrath) is a famous thirteenth century Latin hymn thought to be written by Thomas of Celano. It is a medieval Latin poem, differing from classical Latin by its accentual (non-quantitative) stress and its rhymed lines. The meter is trochaic. The poem describes the day of judgment, the last trumpet summoning souls before the throne of God, where the saved will be delivered and the unsaved cast into eternal flames. The hymn is used as a sequence in the Roman Catholic Requiem Mass in the extraordinary form (1962 missal). It is not used in the ordinary form (1970) of the Roman Missal.
Suggested Bibliography:
• C. R. F. Maunder (1988). Mozart's Requiem: On Preparing a New Edition. Oxford: Clarendon Press. ISBN 0-19-316413-2.
• Christoph Wolff (1994). Mozart's Requiem: Historical and Analytical Studies, Documents, Score. Berkeley: University of California Press. ISBN 0-520-07709-1.
• Brendan Cormican (1991). Mozart's death - Mozart's requiem : an investigation. Belfast, Northern Ireland: Amadeus Press. ISBN 0-951-03570-3.
• Heinz Gärtner (1991). Constanze Mozart : after the Requiem. Portland, Oregon: Amadeus Press. ISBN 0-931-34039-X.
•Eisen, Cliff (2006) The Cambridge Mozart Encyclopedia, Cambridge University Press, ISBN 0521856590.
•Gutman, Robert W. (2000), Mozart: A Cultural Biography, Harvest Books, ISBN 0156011719,
For higher video quality and stereo audio, type &fmt=18 at the end of the url of the video. タグ:johannchrysostomwolfgangamadeusmozartrequiem 投稿日: September 4, 2008, 3:29 am 閲覧数: 1896 投票: 5.00(５点満点) 109 人の平均
who - behind blue eyes live
3:52
The Who - Behind Blue Eyes LIVE
I have the Limp Bizkit version too. They did a good cover of The Who.
Haha. That rhymed. タグ:thewhorockrockingrapper 投稿日: September 8, 2008, 11:12 am 閲覧数: 0 投票: 0.00(５点満点) 0 人の平均
a little bit longer (chapter 16)
0:35
Chapter 16
(Dont forget about the contest!! Look at Chapter 15 for details!!!)
*Nick and Sam are just walking around*
Nick: So... what do you want to do know? Its 2:30 and we got 30 more minutes till we have to meet up with my parents.
Sam: Yeah. *Hears Nick stomach growl*
Sam: Umm. Nick. Are you hungry??
Nick: Yeah. Lets get something to eat.
Sam: Sure. What are you in the mood for??
Nick: Umm. What about pizza?
Sam: Sure.
*They walk up to a stand that says Frantonis Pizza (Authors Note: Its a real restaurant!! My mom works there. Haha)
Cashier Person (a different one!!): Hello. Wow. You look really fimilar. I was reading a magazine and on the cover there was this guy who looked actually like you.
Nick: Wow. Well all I can say that is not me. Im just a teenage boy.. that goes to high school.. has a girlfriend that I love.
Cashier Person: Oh. Ok. Well what do you want?
Nick: *to Sam* What do you want?
Sam: Nick.. Let me pay. You bought me so much stuff today.
Nick: No.. Sam. Its ok. Your my girlfriend. I should be buying you stuff.
Sam: But Nick.. I feel so bad.
Nick: Well will this make you feel better? *Nick starts passionately kissing Sam then actually starts French kissing her infront of everyone. Everyone is looking*
*Sam breaks apart, everyone turns away*
Sam: Nick?? I dont feel that kind of bad!
Nick: I know. I just couldnt help myself.
Sam: Thats a good reason. Haha.
Nick: Haha. Now what do you want?
Sam: I will buy it.
Nick: No. Will I have to make out with you in front of EVERYONE again?
Sam: No. Please.
Nick: Haha. Fine. Then I am going to buy you pizza and a drink and you will be happy about it.
Sam: Haha. Ok, Nick. Ill have umm just a regular slice with iced tea.
Nick: Ok. Cool.
Cp: So what would you like?
Nick: Umm. Two regular slices, a medium iced tea, and a medium diet coke. Please.
Cp: Sure. That will be 5 dollars.
Nick: *Pays*
Cp: Thank you. You can just sit over there and your food will be ready in a couple of minutes. *Points to a bench*
Nick: Ok. *to Sam* I love sitting down when your around. (Authors Note: That rhymed!!!)
Sam: Wow Nick.
Nick: *sits down*Come over here babe.
Sam: haha. *sits down on Nicks lap and she can feel a you know what( I am not saying it)* Umm Nick are you ok?
Nick: *to himself. Oh God. She found out. Act calm Nick! Act calm!!* Um..
Sam: Nick. Its fine. I understand.
Nick: You do??
Sam: Yeah. Ofcourse.
Nick: Good. Its just you kinda turned me on.
Sam: I did? I just sat on your lap?
Nick: Yeah.. but still. Like I said before.. *gets cut off*
Sam: *starts kissing him*
Nick: *is surprised, but starts kissing her back*
*They hear a ringing noise, but ther just egnore it*
Sam: *pulls away* Nick. I think our foods ready?
Nick: Oh. Yeah. I forgot about that. *walks over to cashier person with Sam* *to cashier person* Sorry about that we couldnt hear you.
Cp: Its ok. I guess. *Hands them there food and drinks* Come back again.
*Nick and Sam have their food and find a small table*
Nick: Oh. Im so hungry.
Sam: Yeah. Me too.
*They eat their pizza and see Joe trying to find somebody*
Nick: *yells* JOE!!
Joe: *comes over, looking angry* What are you guys doing!!
Nick: We were eating pizza.
Joe: Ohh. Come on we have to go.
Nick: Ok. *to Sam*Lets go.
Sam: Sure.
*There walking to the parking lot with Joe*
Nick: So Sam. Want to come over our house? Our parents are going out to eat, and Frankie is going to his friends house.
Sam: Yeah. Sure. Let me see if I can go. *texts her mom and waits a couple of seconds till she replys* My mom said yeah. They went out to dinner with my sister and brother.
Nick: Ok. Cool.
Joe: Awsome.
Sam: Ok.. haha.
Nick: Haha.
Joe: Oh. I like your hats.
Sam: Ohh. Thanks.
Nick: Yeah. What she said. Haha.
Sam and Joe: haha.
*Joe was checking Sam out*
Joe: *whisper* Damnn!!
Nick: What??
Joe: Oh. Nothing, just talking to myself.
OMG! Does Joe like Sam (even though she is 6 years younger then him)??? What will happen at the Jonas house??? Find out in A Little Bit Longer (Chapter 17)!!
*DONT FORGET ABOUT THE CONTEST!!!!
タグ:bitlittlelongerseries 投稿日: September 8, 2008, 3:11 am 閲覧数: 0 投票: 0.00(５点満点) 0 人の平均
alvin and chipmunks - remember name
3:47
Song: Remember The Name
Real Artist: Fort Minor
You ready?! Let's go!
Yeah, for those of you that want to know what we're all about
It's like this y'all (c'mon!)
[Chorus:]
This is ten percent luck, twenty percent skill
Fifteen percent concentrated power of will
Five percent pleasure, fifty percent pain
And a hundred percent reason to remember the name!
Mike! - He doesn't need his name up in lights
He just wants to be heard whether it's the beat or the mic
He feels so unlike everybody else, alone
In spite of the fact that some people still think that they know him
But fuck em, he knows the code
It's not about the salary
It's all about reality and making some noise
Making the story - making sure his clique stays up
That means when he puts it down Tak's picking it up! Let's go!
Who the hell is he anyway?
He never really talks much
Never concerned with status but still leaving them star struck
Humbled through opportunities given despite the fact
That many misjudge him because he makes a living from writing raps
Put it together himself, now the picture connects
Never asking for someone's help, or to get some respect
He's only focused on what he wrote, his will is beyond reach
And now it all unfolds, the skill of an artist
This is twenty percent skill
Eighty percent fear
Be a hundred percent clear cause Ryu is ill
Who would've thought that he'd be the one to set the west in flames
And I heard him wreck it with The Crystal Method, "Name Of The Game"
Came back dropped Megadef, took em to church
I like bleach man, why you had the stupidest verse?
This dude is the truth, now everybody's giving him guest spots
His stock's through the roof I heard he's fuckin' with S. Dot!
[Chorus]
They call him Ryu, he's sick
And he's spitting fire
And mike got him out the dryer he's hot
Found him in Fort Minor with Tak
What a fuckin' nihilist porcupine
He's a prick, he's a cock
The type woman want to be with, and rappers hope he get shot
Eight years in the making, patiently waiting to blow
Now the record with Shinoda's taking over the globe
He's got a partner in crime, his shit is equally dope
You wont believe the kind of shit that comes out of this kid's throat
Tak! - He's not your everyday on the block
He knows how to work with what he's got
Making his way to the top
He often gets a comment on his name
People keep asking him was it given at birth
Or does it stand for an acronym?
No he's living proof, got him rocking the booth
He'll get you buzzing quicker than a shot of vodka with juice
Him and his crew are known around as one of the best
Dedicated to what they do and give a hundred percent
Forget Mike - Nobody really knows how or why he works so hard
It seems like he's never got time
Because he writes every note and he writes every line
And I've seen him at work when that light goes on in his mind
It's like a design is written in his head every time
Before he even touches a key or speaks in a rhyme
And those motherfuckers he runs with,
The kids that he signed?
Ridiculous, without even trying,
How do they do it?!
[Chorus - repeat 2x] タグ:alvinandthechipmunks 投稿日: September 8, 2008, 7:07 am 閲覧数: 0 投票: 0.00(５点満点) 0 人の平均
