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sohrab sepehri (poem)
4:31
Short piece of a poem by the persian poet Sohrab Sepehri. Voice and pictures aren't mine. The pictures are from the internet and the voice is from a CD (which is also named after the poem) that contains the whole poem (30 min.).
タグ:sepehri sadaaye paaye aab sedaaye
投稿日: May 9, 2008, 4:49 am
閲覧数: 15927
投票: 4.90(５点満点) 43 人の平均
rostam va sohrab
1:29
Rostam va Sohrab The Movie 3D ROSTAM-e DASTAN
タグ:iranian ferdousi persian tajik rostam
投稿日: October 14, 2006, 3:20 pm
閲覧数: 19743
投票: 4.40(５点満点) 39 人の平均
rustam sohrab 1963 - 2 songs ye kaisi ajab と mazandaran
6:40
Music Director Sajjad Hussain : They could be apocryphal or they could be true, but two anecdotes about the late Sajjad Hussain are now virtually part of Hindi film music lore. One: how, during a recording, he called out tartly to Lata Mangeshkar struggling at the mike with one of his intricate compositions, "Yeh Naushad miyan ka gaana nahin hai, aap ko mehnat karni padegi." Two: how at a music directors' meet, eschewing the customary diplomacy of that era, he walked up to Madan Mohan and demanded belligerently, "What do you mean by stealing my song ?" ("Yeh hawa yeh raat yeh chandani" from his 'Sangdil' had just found a new avatar as "Tujhe kya sunaoon main dilruba" in Madan Mohan's 'Aakhri Dao'.) These two hallmarks of Sajjad's identity -- his penchant for complex, many-- layered compositions and his singularly forthright nature -- stuck to him like a second skin throughout his life. And they combined in a rather unfortunate manner to diminish the potential brilliance of a career that could have ranked among the most celebrated. It was not the intricacy of his compositions that put Sajjad at a disadvantage -- he worked, after all, in an era that belonged to music directors with erudition and firm classical foundations. Where he lost out was in his handling of producers and directors, sometimes musical illiterates, who sought to simplify or alter his tunes -- his contemporaries dealt with such "suggestions" rather more tactfully than Sajjad, who would immediately [get] up and walk out of the film. "He was an extremely talented man, very knowledgeable about music, but his temperament was his undoing," says Naushad. "Even if someone made a minor suggestion, he'd turn on him and say, 'What do you know about music ?' He fought with almost everyone. Because of this, he sat at home most of his life and wasted his talent. But the body of work he has produced, small as it might be, ranks among the best in Hindi film music." Music historian Raju Bharatan, whose interaction with Sajjad goes back a long way, has a somewhat different insight into the man. "It's true he wouldn't let musically unqualified people interfere with his work,but the popular perception of him being stubborn is not right," he says. "Sajjad had a rational explanation for every action of his. You had to know him to recognise his tremendous erudition, the fact that he was far superior to every other music director in the industry." This erudition, the cornerstone of Sajjad's work, is recalled affectionately by Naushad. "He took pride in his ustaadi," he says. "He'd tell the producer, 'I've created a tune which even Lata can't sing.' And the producer would say, 'If Lata can't sing it, how do you expect the common man to sing it ?' But at the same time he did create simple, yet extraordinary, compositions -- for example, "Yeh kaisi ajab daastaan ho gayi hai" from 'Rustam Sohrab'." Indeed, as far as Sajjad's formidable talent goes, there are no two opinions. Madan Mohan, when confronted with the charge of plagiarism, reportedly told him, "I take pride in the fact that I lifted your tune, not that of some second- or third-rater." Anil Biswas, himself hailed as a creative genius, declared in an interview that Sajjad was the only original composer in Hindi films. "All of us, including myself, turned to some source for inspiration," he said. "This, Sajjad never needed to do. Each note of the music he composed was his own." If Sajjad was known primarily for his film scores, there was also another facet to his art -- he was an accomplished albeit self-taught mandolin player who could stun even purists with his ability to play Hindustani classical music on this rather uninspiring western instrument. His performances at concerts alongside the biggest names in classical music spurred rave reviews, and connoisseurs would be agog at his ability to coax the meend, for instance, out of the instrument of play entire ragas with the help of the tuning key. "In the hands of Ustad Sajjad Husain," said a review of a Madras concert in 1982, "the mandolin bore the halo of a Ravi Shankar sitar or [an] Ali Akbar sarod. His playing is that of a mighty maestro." On July 21, the 79-year-old composer breathed his last. The leitmotif of his lifetime, isolation, cast its shadow over his death too, when, with the notable exception of Khayyam and Pankaj Udhas, nobody else from the film industry bothered to turn up to pay him their last respects. "It hurt," admits his son, "but what is far more important is that to the last day of his life, my father was happy. There was no bitterness, no regrets. He could have been hugely successful, made piles of money, but the only thing he wanted was to be acknowledged as a great musician, and to live life on his own terms. And I think he achieved that." Enjoy the Two Songs Plz... Regards Dr.Bukhari
タグ:rustam sajjad hussain talat mahmood
投稿日: November 14, 2007, 3:54 am
閲覧数: 18780
投票: 5.00(５点満点) 12 人の平均
ramin sohrab - rambo
2:16
Ramin Sohrab lives in Finland :)
タグ:ramin
投稿日: November 23, 2006, 1:37 am
閲覧数: 6314
投票: 5.00(５点満点) 19 人の平均
ramin sohrab - enter dragon
4:17
Short movie where Bruce Lee, Chuck Norris and Ramin Sohrab fights which each other.
タグ:ramin bruce lee chuck norris
投稿日: September 24, 2006, 1:15 am
閲覧数: 76058
投票: 4.60(５点満点) 297 人の平均
ramin sohrab - in helsinki (tricking)
2:20
タグ:ramin tricks tricking martial arts
投稿日: June 16, 2006, 9:38 pm
閲覧数: 45348
投票: 4.80(５点満点) 166 人の平均
sohrab sepehri パート 1 deklame
8:11
sohrab sepehri
タグ:sepehri part deklame sher
投稿日: April 29, 2008, 6:44 am
閲覧数: 3865
投票: 5.00(５点満点) 10 人の平均
ramin sohrab - in sweden (tricking)
2:30
タグ:ramin tricks tricking martial arts
投稿日: June 10, 2006, 11:42 pm
閲覧数: 29250
投票: 4.70(５点満点) 88 人の平均
timeless story of rustam and sohrab from shahnama パート 1
10:09
This is the story of "Rustam and Sohrab" from the great Shahnama (Book of the Kings). The Shahnama is a poetic epic written by the Persian/Tajik poet Ferdowsi around 1000 AD. The Shahnama tells the mythical and historical past of Persia from the creation of the world up until the Arab invasion of Persia. The Shahnama, written in Persian, has been pivotal for reviving the Persian language subsequent to the influence of Arabic. The Book of the Kings is regarded as a literary masterpiece which reflects Persia's history, cultural values, its ancient religion, Zoroasterianism, and its profound sense of nationhood. This particular story of Rustam and Sohrab is only one of the many chapters in the Shahnama. Rustam has always been a hero to Persians/Tajiks as well as other Persian speakers. The Shahnama is very important, especially nowadays, because contrary to what people think today, it does not represent just the political country of Iran. Instead, the epic covers parts of modern-day Afghanistan, as well as Iran, Tajikistan, and the cities of Samarqand and Bukhara. Though the peoples of these regions are separated against their will by such political borders it can not change the fact that they share the same language, culture and history and, importantly, Rustam is still their hero. The Shahnama is valued above the Quran and fortunately the Persians/Tajiks are rediscovering their roots and shaking loose from the hold that Arabic had on them. They are realizing just how barbaric the Arabs are and they are moving away from the Arab culture and Islam and going towards their own culture and beliefs. Though there are still Persians/Tajiks who defend the savage acts of the Arabs i.e. forcing their language on the Persians/Tajiks, changing their livelihood, abolishing their legends, etc. These Persians/Tajiks do not realize the errors of their ways and the fact that they are just pawns being used by the Arabs. As the saying goes, "When there is no enemy within, the enemies outside cannot hurt you." Others work to keep the Persians/Tajiks separated for their own advantage. It is legends like Rustam who serve as reminders of the greatness the Persians/Tajiks come from. And it is books like the Shahnama that captures the timeless power of a great culture.
タグ:kabul balkh samarqand bukhara iran tajikistan
投稿日: May 18, 2007, 12:12 pm
閲覧数: 20003
投票: 4.90(５点満点) 48 人の平均
sohrab behrad (be yade mahasti)
3:07
be yade mahasti dar arya tv persian guitarist and singer musice irani سهراب بهراد در تلویزیون آریا به یاد مهستی Email: sohrab_behrad@yahoo.com Irani persian music 2007 -- 2008 1386 Guitar o avaze pop musice irani ba guitar ترانه ی پاپ ایرانی و به یاد بزرگان - گیتار Sohrab_behrad@yahoo.com www.Partgah .com
タグ:behrad live persian tv mahasti
投稿日: September 5, 2007, 9:44 am
閲覧数: 9885
投票: 5.00(５点満点) 20 人の平均
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