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w spot takako yamada パート2


8:03
200th Anniversary.
タグ:takako  yamada  kumiko  hara  山田誉子  原久美子 
投稿日: March 21, 2007, 5:39 pm
閲覧数: 45729
投票: 4.60(５点満点) 5 人の平均

w spot takako yamada パート4


6:43
Its' final show of W SPOT.
タグ:takako  yamada  kumiko  hara  山田誉子  原久美子 
投稿日: March 22, 2007, 9:32 am
閲覧数: 31430
投票: 4.20(５点満点) 10 人の平均

osaka elegy (1936) 1/7


10:59
High Quality: Add "&fmt=18" at the the end of the url Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 17, 2008, 6:48 pm
閲覧数: 70
投票: 5.00(５点満点) 3 人の平均

osaka elegy (1936) 7/7


6:05
High Quality: Add "&fmt=18" at the the end of the url Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 18, 2008, 1:33 pm
閲覧数: 0
投票: 0.00(５点満点) 0 人の平均

osaka elegy (1936) 2/7


10:59
Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 18, 2008, 11:32 am
閲覧数: 0
投票: 0.00(５点満点) 0 人の平均

osaka elegy (1936) 5/7


10:59
High Quality: Add "&fmt=18" at the the end of the url Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 18, 2008, 12:56 pm
閲覧数: 0
投票: 0.00(５点満点) 0 人の平均

osaka elegy (1936) 6/7


10:59
High Quality: Add "&fmt=18" at the the end of the url Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 18, 2008, 1:21 pm
閲覧数: 0
投票: 0.00(５点満点) 0 人の平均

osaka elegy (1936) 4/7


10:59
High Quality: Add "&fmt=18" at the the end of the url Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 18, 2008, 12:39 pm
閲覧数: 0
投票: 0.00(５点満点) 0 人の平均

osaka elegy (1936) 3/7


10:59
High Quality: Add "&fmt=18" at the the end of the url Osaka Elegy (1936) (Naniwa Ereji) Japanese with English Subtitles "Kenji Mizoguchi presents a poignant and caustic tale of obedience, duty, and the inequity of a patriarchal society in Osaka Elegy. Similar to Robert Bresson's A Gentle Woman and L'Argent, the repeated imagery of transactions reflects the devaluation of moral dignity, as money becomes a convenient surrogate for human interaction: Asai's marriage arose from economic and social gain; Mrs. Asai imposes herself on Asai's subordinate, Nishimura, by handing him theater tickets; Murai defends his parental skills by citing his payment for his children's education; Ayako accepts Asai's proposition in exchange for clearing her father's debts. Ironically, as Ayako attempts to follow cultural tradition by assuming responsibility for familial obligations, she is stigmatized as a shameless, delinquent moga (modern girl). In the end, Ayako's search for independence and happiness proves to be elusive ideals in the impersonal commerce of human emotion." -Acquarello, filmref.com Director: Kenji Mizoguchi Screenwriters: Tadashi Fujiwara, Yoshikata Yoda, based on the story Mieko by Saburo Okada Cinematographer: Minoru MikiM Music: Koichi Takagi Cast: Benkei Shiganoya, Yoko Umemura, Isuzu Yamada, Seiichi Takegawa, Chiyoko Okura, Shinpachiro Asaka, Kunio Tamura, Kensaku Hara, Eitaro Shindo
タグ:osaka  elegy  1936  naniwa  ereji  japan 
投稿日: November 18, 2008, 12:13 pm
閲覧数: 0
投票: 0.00(５点満点) 0 人の平均